Two artists who work in varied styles and materials but whose multifarious work always bears the strong stamp of personality are nicely paired in parallel solo shows. Gay Outlaw’s witty and even humorous conceptual sculptures fill the main gallery, while inkblot drawings by the late Bruce Conner, one of the original Beat artists, occupy the side gallery. If conceptualist or nontraditional art sometimes seems overly obscure, the beautifully crafted works shown here are approachable objects that also happen to point beyond the visible, or, to use the Duchamp’s more enigmatic term, the retinal.